Notable Cast: William Shatner, Leonard Nimoy, DeForest Kelley, Ricardo Montalban, Kirstie Alley, James Doohan, Walter Koenig, George Takei, Nichelle Nichols, Bibi Besch, Merritt Butrick, Paul Winfield
So remember all the things you loved about the Star Trek television series that the first theatrical film conveniently left out? Adventure? Fun? Characters? Pacing? Well, it’s almost like the film makers of the second film, Star Trek II: The Wrath of Kahn, had heard you because they rectify ALL of those things for this smaller budget, but massively superior sequel. While it’s not the perfect film that many of my Trekkie friends and colleagues might claim it to be (don’t get your underwear bunched up, we’ll discuss that in a second) it is easily one of the best science fiction adventure films to exist. It’s a film that knows its audience and knows its strengths, and plays into them. Even if you haven’t seen the episode of Star Trek that this is also a “sequel” to, this film is remarkably effective at almost everything it does and remains perhaps one of the biggest leaps of quality for a sequel over its predecessor in cinema history.
While training a new crew for the Enterprise, under its new Captain Spock (Nimoy), Admiral Kirk (Shatner) receives an odd distress call from someone in his past. It’s his past as Captain of the Enterprise that will come back with a vengeance once the villainous Khan (Montalban) reappears to take his wrath on the man and the ship that left him to die.
|"To the mystery mobile!"|
In this same vein, it has to be mentioned that the return of Khan crafts one of the best villains in cinema. Even while some of the secondary performances from the cast can be a bit cheesy or melodramatic, Ricardo Montalban destroys it on screen with gravitas and an over the top intensity that devours the viewer. He might not even show up in the same room as Kirk, but his conversations with a similar in over-the-top style of William Shatner are paralleled impressively where they battle in monologues and stares more than anything, but it works to create such an enigmatic tone that it’s easy to be pulled in like a tractor beam. The writing here certainly helps as the dialogue knows with its shorter run time that every word and beat of emotion has to count, but Montalban as Khan is easily the MVP of this film with his performance.
As I mentioned previous, not only does Wrath of Khan expertly navigate its larger cast with nimble precision, but the pacing is damn near perfect. There are a few plot holes left in the script that can be a bit deceiving – including a dramatic mini-plot featuring Scotty and a young crew member from engineering that was further explained in a cut scene from the film – but the effective nature of how quickly and efficiently this film moves has to be admired, plot holes be damned. The film remains exciting too, building mystery, expanding the universe by exploring its back catalog with Khan’s return (although it’s not necessary to see “Space Seed” as the writers accomplish its explanation in strong ways), and really crafting some great sequences like the two ship battles that commence in the latter portion of the film. This is truly a thoughtful version of a space adventure that blends the smarts and fun that Star Trek was known for previously.
|"My mullet has never looked better than HD!"|