Notable Cast: Kelly Blatz, Brittany Curran, Brett Dier, Gage Golightly, Nick Nicotera, Nick Nordella, Michael Ormsby, Kevin Chapman, Stephen Lang
The meteoric rise of director Marcus Nispel is something that probably angers horror fans to no end. A music video director initially, his first big film was The Texas Chainsaw Massacre remake – a film that itself earns quite a bit of love and hate. From there he has mostly worked on various big budget remakes to varied degrees of success (I have a soft spot for the dumb fun of his Conan the Barbarian remake myself), but his latest feature seemingly dropped out of the social conscious. An original film that Nispel actually was a writer on, Exeter also known as Backmask, is perhaps his weakest piece of film to date. The film is a whirlwind of clichés hinged on terrible writing and too often it tries to replace any legitimate horror elements with style. In essence, it’s everything that fans bitch about with Nispel just ten times over.
Patrick (Blatz) has been helping Father Conway (Lang) clean up an old asylum lately for the church, but when he lets his friends know about the place they quickly decide to throw a massive party. At the after party though, Patrick, his younger brother, and a handful of his friends find out that there is more to this abandoned asylum then what they thought…and whatever it is it’s out for blood.
So what good is there to the film? Well, not a whole lot. Nispel does bring a manic energy to the proceedings, an energy that is desperately needed to navigate as much shit as it throws at the audience, and the production values are rather impressive. The film looks like a Nispel film with its crisp attempts at looking grungy, if that makes sense. Some of the humor works, but unfortunately most of the characters do not as we run into all of the clichés there too. In fact, most of the characters are just down right annoying. It was a pleasure seeing them die in a lot of ways even if some of the kills were not all that satisfying for the horror fan in me.
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