Notable Cast: Reese Mishler, Pfeifer Brown, Ryan Shoos, Cassidy Gifford, Price T. Morgan
At some point a trend has to seemingly slow down, right? I mean, you can only rehash the same technique, style, and approach so many times before expansion or evolution should naturally occur. However, the found footage style of horror films seems to be a resilient trend that refuses to evolve. You can argue until you’re blue in the face about whether or not it was all that effective to begin with, but it doesn’t seem to be going away any time soon. Perhaps it’s just an easy and cheap way to make a buck with horror, but something needs to happen. The Gallows, the latest effort from horror producer super hero Jason Blum, is a big sign post about why. Instead of running with its fairly interesting concept, the film instead regurgitates the same formula, style, and ineffective execution that has plagued the found footage genre for years now. It’s dumb, irritating, and worst of all – it’s boring.